Tanzania

Mwiba Africa's Luxury Resort

East Africa’s most significant new safari lodge, Mwiba, brings a more luxe appeal to the southern Serengeti, the prime place to watch the Great Migration.

The last time I went to Tanzania, I stayed at Singita Grumeti, a 350,000-acre hunting block leased by American hedge-funder Paul Tudor Jones, now turned over to luxury photographic safaris. From a small Cessna plane, I could see the extent of his vision – to rehabilitate the land and wildlife, and bankroll the work through a clutch of $1,000-plus-a-night lodges.

To the pilot I expressed my amazement at the scale of the undertaking … the legions of wildebeests moving across the Serengeti Plains, the miles of fencing for just one black rhino. He told me I hadn’t seen anything yet. He occasionally flew another American, Dan Friedkin, who leases four million acres in different parts of Tanzania. That is more than 11 times bigger than Tudor Jones’ land, or one-half the size of Rwanda.

I delved deeper. Friedkin – a 50-year-old automotive billionaire from Texas, who in December bought Auberge Resorts – owns the Legendary Expeditions outfit, which offers mobile safari camps in Tanzania. It also operates Legendary Lodge (rooms from $550; Selian Coffee Estate, Namanga Rd; 255-27-250-8917; legendarylodge.co.tz) in Arusha (a top place to stay before heading to the Serengeti) and Mwiba, Friedkin’s recently-opened, first permanent safari lodge in the bush. “Africa possesses me,” Friedkin says.

I just got back from Mwiba, and it is pitch-perfect. Like Friedkin, it is also ferociously private. The day before I checked in, there was an outgoing Hollywood star who clearly found in the property a place to hide with his lover. That’s because Friedkin’s millions of acres stretch as far as the eye can see, to the eastern border of the Ngorongoro Conservation Area, while his northern boundary is contiguous with Serengeti National Park. The wildlife in this critical migration corridor include the seasonal movement of up to two million wildebeests and is both accessible and has iconic appeal. (I have seen stronger resident wildlife populations in other parts of East Africa, but Mwiba’s densities are by no means poor.)

Friedkin designed the eight-suite lodge, made from natural wood and galvanized steel with a thatched roof reminiscent of Zanzibar; and his wife Debra selected the mint, cream, brass, and khaki interiors. The elevation of each suite above the boulder-strewn natural springs provides views from the beds that are framed just so. From my bath I watched marula and coral trees quiver with masked weaver birds. From the pool I saw leopard tracks. Animals come to drink in the rock pools, their world undisturbed by the arrival of Mwiba’s subtle wooden walkways and outdoor showers.

As for the days, they’re lost in an easy rhythm of game drives and walking safaris together with meals – Italian salads, French steaks, African barbecued meats, South African wines – served by a staff of many, some of whom were schooled by Singita Grumeti.

I spent a night in the mobile unit, the Legendary Serengeti Camp, set up in the pretty acacia grove. Everything speaks of old-fashioned class: Persian rugs, leather and canvas chairs, steaming-hot bucket showers. I visited Tanzania’s last hunter-gatherer tribe, the Hadzabe, and the Masai communities. I learned that Friedkin uses helicopters in his push against poaching (he spends more than $1,000 an hour keeping the country’s only two anti-poaching choppers in the air), and I experienced the adrenaline of landing on giant rocks clustered together in the savannah’s version of cloud-skimming skyscrapers.

As we took in the view from one of these kopjes, observing the heads of giraffe scattered across the plains, Friedkin said, “ I don’t possess any part of this country in any way.” “But you do,” I replied. “Four million acres – a number so vast, it’s beyond comprehension.” Friedkin nodded. He leases enough, he said, to make a difference and prove that hunters like himself can also be committed conservationists – that they, too, want to find a way to make Africa’s beauty last for future generations. It is only by visiting Mwiba, he hopes, that one will begin to understand the possibilities.

SEPTEMBER GRAY
Proprietor of September Gray Fine Art Gallery

BIO 

Gray’s life’s work is a reflection of her enduring passion for the arts. Following a noteworthy career in the performing arts, Gray launched a successful fine art consultancy practice wherein she was celebrated for her ability to assist corporate and private collectors with articulating and executing single acquisition and long–term collecting strategies. Gray’s career in the arts and decade as an art consultant inform her role as gallerist. An avid collector, Gray has a talent for “speaking the language” of both artist and collector and a knack for connecting the gallery’s clients to works by artists whose vision and methodologies resonate with their individual tastes, complement their existing collections and honor their overall investment strategy and appetite for risk. Gray holds a B.A. in Art History from DePaul University. A committed art education advocate, Gray serves on a number of non-profit boards and is co-founder of The Gray Foundation, an organization committed to building a world of enriched life options for youth through the promotion of art and education. Gray shares art news and collection strategies in her electronic quarterly journal, The Gray Book.

https://septembergrayart.com/

JUSTIN SULIVAN, CFP
Senior Vice President Market Leader

BIO 

Justin oversees a team of professionals striving to achieve the highest level of client satisfaction. His top priority is that the team not only meets, but also exceeds the client’s expectations. Through Justin’s leadership and commitment, he helps ensure that the client benefits form a full complement of investment, trust, financial planning and private banking services to help them achieve their financial goals.

XAVIER DANIELS

BIO  

Paintings are influenced by his experiences with brotherhood at both Morehouse and as a firefighter. In creating his art, he is actively thinking about the perception of black men and attempting to be a catalyst for a different view on the black male experience. According to Daniels, the conversations happening in popular culture about black males leave them invisible in discussions about themselves. The portraits of black men Daniels creates are large in an effort to symbolically assert black male presence into those conversations. His work has been shown around the world through Almine Rech and Richard Beavers Gallery. Xavier lives and works in Atlanta, Georgia.

https://xavierdaniels.com/

MARRYAM MOMA

BIO

A Tanzanian-Nigerian visual artist based in Atlanta, GA, is renowned for her prolific exhibition history. Moma’s dedication to her art has earned her prestigious residencies at The Migration Artist Residency, Atlanta, GA, and a blended residency and teaching opportunity at The Swimming HoleFoundation in Upstate NY. The Hambidge Center for the Arts awarded her a Distinguished Artist Fellowship, enriching her narrative-driven solo exhibitions like “ICONoclasts.” This showing intertwines paper cut elements to celebrate and empower revolutionary Black figures. Moma continues to innovate within her practice, expanding her presence through murals, public art installations and exhibitions including an indoor mural for Clark Atlanta universities student innovation lounge sponsored by Dell Technologies and Home depot, ICONoclasts Atlanta building-wide public installation sponsored by Dashboard and If Not Us then Who public digital art mural sponsored by A&E Atlanta. 

https://www.marryammoma.com/

DL WARFIELD

BIO

Atlanta-based artist DL Warfield, a veteran artist who has consistently proven himself a talent of the highest caliber – one who has delivered at the highest levels repeatedly throughout his life and career. Yes, many artists are talented; DL Warfield is prolific.

Warfield’s body of work proves his instinctive knowledge and understanding of pop culture and has given him a permanent place at the cutting edge of the new and next. From St. Louis to New York City, Atlanta and worldwide, his talent, skill and endless creativity have taken him to the top of his field again and again, and he intends to push forward wherever a path to artistic excellence can be forged.

The following is a snapshot of his works and clientele. 

Nike, Sprite, Heineken, Anheuser-Busch, Geffen Records, Sony Entertainment, DreamWorks, Sony Music, OutKast Inc., Universal Records, Boys & Girls Clubs, HBO, Virgin Records, Coca-Cola, Adidas, Vibe Magazine, automotive giant Ford Motor Company. He designed the branding for the City of Atlanta’s Film and Entertainment office and at the same time, His fine art has been featured at national landmarks, including the Time-Life Building in New York City, and the Muhammad Ali Center in Louisville, KY, which he loaned two original pieces for three years.

https://dlwarfield.com/

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region. 

www.eddiefontno.com

RSVP

We are no longer accepting RSVPs for the Art of Luxury Lifestyle Dinner, but you are welcome to RSVP Here for the Portrait Reveal Event from
9:30PM to 11:30 PM!

ROBERT KOOL BELL| LE KOOL CHAMPAGNE

BIO

For many years, Robert Kool Bell, Leader and Co-founder of Kool & The Gang, sought out Grand Cru Vineyards from owners that have been selling for generations and decided to work with Paul Berthelot a Multi-Vintage producer since 1884. Voila The Celebration Champagne was born! 

https://lekoolchampagne.com

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region.

Website: www.eddiefontno.com