The Hidden Cost of High Achievement

Confidence Coach Deondriea Cantrice On Professional Survival And Reclaiming Authority Without Apology

An Interview with Deondriea Cantrice
Interview by Taroue Brooks

In a culture obsessed with performance, visibility, and upward mobility, high achievement is often treated as the ultimate proof of worth. But beneath the accolades, credentials, and carefully curated success stories lies a quieter cost—one rarely named, yet deeply felt.

For Deondriea Cantrice, that cost has a name. And more importantly, a solution.

In this Monarch conversation, Cantrice reframes luxury not as access or acquisition, but as self-trust—and introduces Profliction™, a hidden professional injury affecting some of today’s most capable, accomplished leaders.

Taroue Brooks: You describe self-trust as “the new luxury.” In an era driven by visibility, performance, and external validation, why has trusting oneself become both increasingly rare—and increasingly valuable?
Deondriea Cantrice: Self-trust has become rare because we’ve been trained to outsource our knowing.

We live in a hustle culture that rewards performance over presence, optics over alignment, and approval over authority. From an early age—especially for high-impact professionals—you learn that your value is confirmed only after it’s affirmed by someone else: a title, a promotion, a seat at the table.

Over time, that conditioning teaches you to doubt your instincts and override your internal signals in favor of what’s rewarded or praised.

That erosion doesn’t happen overnight. It happens through a thousand small compromises—when you stay silent to stay safe, contort yourself to appear “professional,” or ignore your body and boundaries because excellence is applauded more than wholeness.

Eventually, you become very good at performing confidence while losing trust in yourself. That’s why self-trust is now a luxury.

In a world that constantly asks you to prove, post, and perform, the ability to move from an internal yes—or no—without consensus is rare. It’s expensive. It requires discernment, restraint, and the courage to disappoint expectations that were never yours to begin with.

Luxury has always been about access.

Self-trust is access to yourself.

Taroue Brooks: Many high achievers appear successful by every external metric, yet feel profoundly disconnected from themselves. When did you realize confidence wasn’t a mindset issue—but a structural one shaped by how success is rewarded?
Deondriea Cantrice: I realized it the moment my excellence stopped protecting me.

On paper, I was doing everything “right.” The credentials. The results. The reputation of being dependable—Ms. Get It Done. I didn’t just meet the standard; I quietly became it. And yet, the more I delivered, the more invisible my authority became.

My work was trusted, but my instincts were questioned. My output was celebrated, but my voice was managed. That’s when it clicked: confidence doesn’t erode because people suddenly doubt themselves—it erodes because systems reward performance with more work, not with power.

We talk about confidence as a personal flaw, something you fix with affirmations or grit. But what I was experiencing was structural. Success was rewarded on the condition of compliance. Belonging was offered in exchange for silence.
Over time, that self-editing gets mislabeled as imposter syndrome. In reality, it’s a survival response to systems that benefit from your output but resist your authority.

You don’t heal confidence by fixing people. You heal it by naming what broke it.

Taroue Brooks: You coined the term Profliction™ to describe a hidden professional injury. What distinguishes it from burnout—and why do so many accomplished people misname what they’re actually experiencing?
Deondriea Cantrice: Burnout is about depletion.

Profliction™ is about distortion.

Burnout says you’re tired.

Profliction™ says you’ve been trained to betray yourself.

What most accomplished people are experiencing isn’t exhaustion—it’s the injury that comes from repeatedly overriding your knowing in order to succeed.

To stay agreeable when you should be definitive.

To stay grateful when you should be compensated.

To stay silent when your discernment is inconvenient.

This injury doesn’t show up as collapse. It shows up as second-guessing, over-preparing, over-explaining, and shrinking yourself under the guise of professionalism.

Burnout assumes rest will fix it. Profliction™ doesn’t resolve with a vacation because the damage isn’t physical—it’s relational. Your relationship with yourself has been compromised.

Calling it burnout keeps the problem personal. Naming Profliction™ makes it structural. And once you name it, healing requires reclamation—of voice, boundaries, and authority.

Taroue Brooks: Luxury has long been defined by acquisition—titles, access, possessions. What changes when luxury becomes about discernment, boundaries, and self-authority instead?
Deondriea Cantrice: Everything changes—starting with who’s in control.
When luxury is acquisition, you’re always chasing. When luxury becomes discernment, you stop performing for entry and start deciding what’s worth your energy.

Boundaries are luxury because they protect clarity and nervous system integrity. Discernment is luxury because it’s selective. And self-authority is luxury because it makes your success non-negotiable.
This kind of luxury is quiet. It can’t be marketed or gatekept. It doesn’t ask permission. It simply chooses.

Taroue Brooks: You work closely with women who are highly credentialed yet chronically underrecognized. What is the most dangerous belief high-performing women adopt to stay palatable or “professional”?
Deondriea Cantrice: The most dangerous belief is this: If I’m good enough, it will eventually be seen.

That belief keeps women proving instead of positioning. It trains them to earn safety through usefulness rather than authority.

Excellence doesn’t protect you.

Clarity does.

Taroue Brooks: For readers who sense they’ve outgrown the version of success they once chased, what is the first quiet signal that it’s time to redefine winning?
Deondriea Cantrice: The signal is when success starts asking you to betray something you used to protect.
You’re not tired of the work—you’re tired of the terms.

Redefining winning isn’t about wanting less. It’s about refusing to win at the expense of yourself.

SEPTEMBER GRAY
Proprietor of September Gray Fine Art Gallery

BIO 

Gray’s life’s work is a reflection of her enduring passion for the arts. Following a noteworthy career in the performing arts, Gray launched a successful fine art consultancy practice wherein she was celebrated for her ability to assist corporate and private collectors with articulating and executing single acquisition and long–term collecting strategies. Gray’s career in the arts and decade as an art consultant inform her role as gallerist. An avid collector, Gray has a talent for “speaking the language” of both artist and collector and a knack for connecting the gallery’s clients to works by artists whose vision and methodologies resonate with their individual tastes, complement their existing collections and honor their overall investment strategy and appetite for risk. Gray holds a B.A. in Art History from DePaul University. A committed art education advocate, Gray serves on a number of non-profit boards and is co-founder of The Gray Foundation, an organization committed to building a world of enriched life options for youth through the promotion of art and education. Gray shares art news and collection strategies in her electronic quarterly journal, The Gray Book.

https://septembergrayart.com/

JUSTIN SULIVAN, CFP
Senior Vice President Market Leader

BIO 

Justin oversees a team of professionals striving to achieve the highest level of client satisfaction. His top priority is that the team not only meets, but also exceeds the client’s expectations. Through Justin’s leadership and commitment, he helps ensure that the client benefits form a full complement of investment, trust, financial planning and private banking services to help them achieve their financial goals.

XAVIER DANIELS

BIO  

Paintings are influenced by his experiences with brotherhood at both Morehouse and as a firefighter. In creating his art, he is actively thinking about the perception of black men and attempting to be a catalyst for a different view on the black male experience. According to Daniels, the conversations happening in popular culture about black males leave them invisible in discussions about themselves. The portraits of black men Daniels creates are large in an effort to symbolically assert black male presence into those conversations. His work has been shown around the world through Almine Rech and Richard Beavers Gallery. Xavier lives and works in Atlanta, Georgia.

https://xavierdaniels.com/

MARRYAM MOMA

BIO

A Tanzanian-Nigerian visual artist based in Atlanta, GA, is renowned for her prolific exhibition history. Moma’s dedication to her art has earned her prestigious residencies at The Migration Artist Residency, Atlanta, GA, and a blended residency and teaching opportunity at The Swimming HoleFoundation in Upstate NY. The Hambidge Center for the Arts awarded her a Distinguished Artist Fellowship, enriching her narrative-driven solo exhibitions like “ICONoclasts.” This showing intertwines paper cut elements to celebrate and empower revolutionary Black figures. Moma continues to innovate within her practice, expanding her presence through murals, public art installations and exhibitions including an indoor mural for Clark Atlanta universities student innovation lounge sponsored by Dell Technologies and Home depot, ICONoclasts Atlanta building-wide public installation sponsored by Dashboard and If Not Us then Who public digital art mural sponsored by A&E Atlanta. 

https://www.marryammoma.com/

DL WARFIELD

BIO

Atlanta-based artist DL Warfield, a veteran artist who has consistently proven himself a talent of the highest caliber – one who has delivered at the highest levels repeatedly throughout his life and career. Yes, many artists are talented; DL Warfield is prolific.

Warfield’s body of work proves his instinctive knowledge and understanding of pop culture and has given him a permanent place at the cutting edge of the new and next. From St. Louis to New York City, Atlanta and worldwide, his talent, skill and endless creativity have taken him to the top of his field again and again, and he intends to push forward wherever a path to artistic excellence can be forged.

The following is a snapshot of his works and clientele. 

Nike, Sprite, Heineken, Anheuser-Busch, Geffen Records, Sony Entertainment, DreamWorks, Sony Music, OutKast Inc., Universal Records, Boys & Girls Clubs, HBO, Virgin Records, Coca-Cola, Adidas, Vibe Magazine, automotive giant Ford Motor Company. He designed the branding for the City of Atlanta’s Film and Entertainment office and at the same time, His fine art has been featured at national landmarks, including the Time-Life Building in New York City, and the Muhammad Ali Center in Louisville, KY, which he loaned two original pieces for three years.

https://dlwarfield.com/

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region. 

www.eddiefontno.com

RSVP

We are no longer accepting RSVPs for the Art of Luxury Lifestyle Dinner, but you are welcome to RSVP Here for the Portrait Reveal Event from
9:30PM to 11:30 PM!

ROBERT KOOL BELL| LE KOOL CHAMPAGNE

BIO

For many years, Robert Kool Bell, Leader and Co-founder of Kool & The Gang, sought out Grand Cru Vineyards from owners that have been selling for generations and decided to work with Paul Berthelot a Multi-Vintage producer since 1884. Voila The Celebration Champagne was born! 

https://lekoolchampagne.com

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region.

Website: www.eddiefontno.com